dated 1911

modelled as foliate sprig in unmarked

metal

with three charms and a padlock clasp

with a padlock clasp and a foxhead seal

the square dial with diamond and

sapphire surround and with diamond and

sapphire shoulders to the moire wrist

strap

set with five half seed pearls, another

mourning ring set with seed pearls and a

white gold wedding band, (3)

the circular face with seconds dial and

numerals in black and on a leather strap

modelled as a flowerhead, the central

stone surrounded by eight others and with

a gold shank

the circular face with numerals in gold

and on a leather strap

each set in nine carat gold

the gilt and silvered face with numerals in

black

nine carat gold fern design brooch with

seed pearls, a rolled gold pin brooch and

a small unmarked mourning brooch (5)

the circular face with numerals in gold

and with sweeping seconds hand and with

a leather strap and original fitted box

and a Victorian mourning brooch set with

woven hair (2)

the white enamel face with seconds dial

set with gemstones and pearls (3)

formed with a male head in profile

modelled as a flowerhead the central

olivine surrounded by ten small diamonds

and with an eighteen carat gold shank

formed with open curb links

modelled with a swallow and in a fitted

box

set in unmarked white gold

with a padlock clasp

set in eighteen carat gold

set in fifteen carat gold

set in eighteen carat gold

set with half seed pearls

set with Princess cut stones in eighteen

carat gold

the old brilliant cut stone flanked with

black enamel work and set in eighteen

carat gold

set in eighteen carat gold

the oval stone set in eighteen carat gold;

and five other rings

the half carat Princess cut stone in

eighteen carat gold

cast with scrolling leaf designs, set with a

white stone with incised motto

set in eighteen carat gold

on a fancy link chain, in nine carat gold,

in fitted box

set in eighteen carat gold

both apparently unmarked

the oval cornflower sapphire flanked with

baguette diamonds in eighteen carat gold

formed with hollow curb links and with a

padlock clasp, in fitted box

in fifteen carat gold

in fifteen carat gold

the bezel set with millifiori design, on

green leather strap

set in eighteen carat gold

set in unmarked metal probably platinum

set with seed pearls

set with a sapphire and diamonds

in nine carat gold

in fifteen carat gold

set with seed pearls on mauve enamel

the oval centre stone surrounded by a row

of half pearls

the oval centre stone surrounded by a row

of seed pearls

the pale blue oval stone within two rows

of seed pearls

on a belcher link chain

set with a olivine and on a chain

flowerhead in form and set in fifteen carat

gold, on a chain

modelled with stylised floral designs in

nine carat gold

modelled with a pair of dolphins, designs

number 251

marquise shaped and set with a pear

shaped pink tourmaline over two pearls

and surrounded with diamonds, in

unmarked gold

modelled with oval panels of flowers

set with olivines and with a padlock clasp

formed with curb links with ball designs

set with an amethyst

set in gold and on a fine chain

with a padlock clasp

set with a row of coral stones within seed

pearls, in original fitted box

the large red round stone surrounded by

diamond set leaves

starburst formed in unmarked gold

set with coloured paste stones in leaf

forms

with three brilliant cut stones interspaced

by two baguette stones and in eighteen

carat gold

the brilliant cut stone in open gold

flowerhead design and with eighteen carat

gold shank

formed with numerous various gemstones

of random shapes and sizes, including

aquamarine, garnet and amethyst etc., in

gold shank

the cabochon cut jades set in groups of

four interspaced by flexible gold links, in

eighteen carat gold, damages

set with seed pearls and gemstones and

complete with modern gold chain

with half hunter hinged front cover and a

white enamel dial with Roman numerals

in black

of scroll design with seed pearls and

turquoise

in eighteen carat white and yellow gold

the baguette cut sapphire with diamond

surround and in unmarked white gold

formed as flowerheads

set with seed pearls in fruit and vine

design

in nine carat gold with earrings to match

with fine chain and matching ring, both

unmarked

set with approx. half a carat of small

diamonds and set in eighteen carat gold

with central cabochon garnet inlaid with

seed pearl starburst and a ring set with

garnets in nine carat gold (2)

in eighteen carat white gold

in eighteen carat gold, a pair of pearl ear

studs and pair of ruby and opal ear studs,

set in nine carat gold (3)

set in rows and in eighteen carat gold

in original fitted case

the clasp set with small diamonds in

eighteen carat white gold

and a amethyst set dress ring in nine carat

gold (2)

set in eighteen gold

in eighteen carat gold and two strands of

coral beads (3)

marked eighteen carat gold

with diamond leaf formed shoulders,

approx. one and a quarter carat and set in

eighteen carat gold

modelled as a flowerhead, set in white

gold shank

in eighteen carat gold

in white gold

of plain rectangular form

with fine chain, in nine carat gold

on fine chain, in eighteen carat white gold

set in nine carat gold

in eighteen carat gold

set in unmarked white gold

the central ruby surrounded by small

diamond and with diamond shoulders, set

in eighteen carat gold

set in eighteen carat white gold

set with eight stones approx. three

quarters of a carat in total, set in

unmarked gold shank

modelled as a dress dirk

in Victorian style setting, in unmarked

gold shank

with inter-linking gold band, set in

eighteen carat gold

with large pearl drop, in unmarked gold

in nine carat gold

in nine carat gold

with T-bar

maker W.H.L, Birmingham

with locket set heart-shaped padlock clasp

with fourteen carat gold mounts and gemset

eye

modelled as crosses, set in fourteen carat

gold

set in nine carat white gold

inscribed to one side ‘Ferdinand D.G.

Archidux Austrie’ and the other Dux

Burgundie Comes Tirolis, probably late

sixteenth century

both dated 1911

the sovereign dated 1974, the half

sovereign 1910

one dated 1979, the other 1981

one dated 1912, the other 1907

one dated 1903, the other 1965

the dial with numerals in black; and a

lady’s gold bracelet watch (2)

a Tudric pewter ice bucket, decorated in

relief with stylised foliage and with two

handles, marked with pattern number

0705, 6in (15.2cm) high

comprising teapot; sugar and cream jug,

each of faceted oval form and raised on

scroll feet, bearing monograms, maker

Sorley Glasgow 1918, 45oz

by Hugh Wallace, of circular form with

rope twist neck rim and on three squat

feet, 9in (22.8cm) diameter

modelled as a silver goat and mother of

pearl cart, maker F.C.B. Birmingham

of circular form with two large scroll

handles and lower frieze of applied

decoration and on stepped circular base,

inscribed with presentation inscription,

maker W.W.B.T. London 1896, 12oz

of circular form with pierced ribbon and

swag and foliate decoration supported by

six pilasters and on a stepped base

section, maker D &F, Birmingham 1907,

without original glass liners,

each 6in (15.2cm) high, 8oz (2)

of six divisions with ring handle and on a

rounded rectangular base section raised

on bun feet, maker S.I.Ld, Chester 1911,

16in (40.6cm) diameter

£50 - 100

engine turned and with a presentation

inscription dated 1957, 6in (15.2cm) wide

with divided interior

with blued steel inner sections

with hinged lid and vacant cartouche

of circular form with pierced border of

Neoclassical scroll, mask and foliate

design over reeded frieze and with three

scroll handles all raised on three paw feet,

maker J.W. Glasgow, 1909, 33oz

of circular form with pie crust border and

raised on squat cushion feet,

monogrammed, maker H.E. & Co. Ltd.,

London 1922, 40oz

with twin scroll branches and central

sconce over shaped square bases with cast

foliate details

with beaded shaped circular rim and on

four ball and claw feet, maker B.B.S Ltd.,

Birmingham 1950

of shaped circular form and raised on

three scroll feet, maker Walker and Hall,

Sheffield 1929, 28oz

the detachable oval cover with a cavalier

modelled from a tortoise shell and with

silver gilt mounts and interior maker’s

stamp ‘IP’, 4in (10.1cm) long

by S. Mordem and Company

each horseshoe shaped with designs of

coloured flowerheads and with easel

set with an oval portrait panel depicting a

bust length male

including a Meerschaum example with an

amber coloured mouthpiece

of tapering circular form with low

mounted spout and turned ebony handle,

maker I.S. London 1736,

each with central candle sconce and twin

branches on columns and rectangular base

sections, each 16in (40.6cm) tall,

one damaged

on table stand with warming plate, raised

on cabriole supports and fitted with

ebony handles, 14in (35.6cm) wide

Lord Bryan, in a green tunic and

waistcoat, enamelled verso and in an

unmarked probably gold frame with

suspension ring

Sir Colin Wykes in scarlet military

uniform and with pandered wig, in an

unmarked probably gold frame with

suspension ring

the son of Sir Colin Wykes,

in military uniform, enamelled verso and

with inset woven hair panel, in an

unmarked probably gold frame with

suspension ring

with original box, maker F.T. London

marks

the rectangular centre panel in a pierced

scroll, foliate figure and animal border, on

four feet, some small damages, London

the hinged lid with a peacock finial over

cast shell designs, with a loop handle,

11in (28cm) high

comprising of teapot, hot water pot, sugar

and cream, with gadrooned lower half

and floral cast upper half, maker J.R.

Sheffield, 1892, 61oz

on ornate square form bases,

each 12in (30.5cm) tall

in a fitted canteen

mounted with unmarked silver, the top

with a cream and red cabochon stones

over entwined lattice work with engraved

Jacobite Star symbols to the shoulder

sections, with removable knife and fork

set into the leather tooled scabbard, the

blade with pierced back, circa 1790,

Hugh Ross of Tain exists in the

Queen’s Collection

in a fitted case, London 1891,

with a pair of tongs

in a fitted case

with mother of pearl handles in a fitted

case

Old English pattern, maker R.C., London

1798, engraved with initial, 9ozs

Fiddle pattern, maker A.W. Edinburgh

1835, engraved with initial, 7ozs

maker A.E, Edinburgh 1824 and other

unmatched silver flatware

with a silver screw top, decorated with

geisha, Birmingham 1904, 2in (5cm) high

in their original fitted case, embossed at

the terminals with stylised acorn designs

the detachable lid and base section

embossed with secessionist stylised

designs, the glass body similarly incised,

with plated mounts and on plated stand,

of basket form with three smaller baskets,

maker C.N.R.H. Chester 1913, 24oz,

maker H.A. Sheffield 1918

in a fitted mahogany case

by S.L.Ld, Chester 1918 with forks, only

one retaining it’s original glass liner

with cast shell design to rim by Walker &

Hall, Sheffield 1958, 3ozs

with hinged silver plated cover and

mounts, the bamboo body carved with a

of tall oviform relief decorated with leaf

forms, marked beneath 4170,

4in (10.2cm) tall

in chrome metal on circular base,

9in (22.8cm) tall

on tray by Huskin and Heath, comprising

of an oblong tray, teapot, hot water pot,

sugar and cream

complete with burner,

of amphora shape in mottled orange glass

with silver plated rim and within

hammered and foliate silver plated stand

on square base, 7in (17.8cm) tall

of circular hammered form and with relief

motif of wild rose to the centre and a

brass Keswick School pin dish, both

marked, the bowl 11in (28cm) diameter

(2)

a silver plated bowl of shaped oval form

with hammered finish,

of oviform, relief decorated with deer

amongst foliage allover,

etched signature mark,

with central swan ornament,

of circular form in the Cherry pattern,

of circular form and relief decorated with

cherubs harvesting grapes and producing

wine, 6in (15.2cm) high

marks in black for 1927 - 1941,

painted underglaze in blue on white with

birds of paradise in foliage, minus covers,

unmarked, 11in (28cm) tall, (2)

each of circular form with pierced borders

and decorated underglaze in blue and

white with flowers, the largest bowl,

9in (22.9cm) diameter

decorated with band of repeat floral

designs in yellow, brown and green over

blue band and green body, the ewer with

further floral designs inside and outside

the spout, marked for pattern 7003 and

bearing registration number 330702,

the ewer 13in (33cm) tall

with cut Art Deco diamond designs,

12in (30.5cm) tall

with mottled brown designs on irridescent

green body and of wrythen circular form,

12in (30.5cm) tall

of tall elongated oviform with mottled

brown design over yellow on a spreading

circular base

the mottled interior overlaid with clear

glass and hand enamelled with flowers,

painted signature mark ‘DeLatte Nancy’,

of circular form and in mottled orange

glaze with central monogram ‘D.B’,

9in (23cm) diameter

relief decorated in colours and inscribed

below, ‘The Runaway Marriage, A

Romantic Couple being married by the

Blacksmith of Gretna Green’,

of slender oviform shape, decorated with

lady and child in landscape on bracket

tube lined with geometric and floral

tube lined with floral border in shades of

green, blue and pink,

tube lined with floral border in shades of

green, blue and pink,

of tall tapering circular form with two

lower gilt handles, decorated with winter

scene of woman and child,

decorated in the Wattea pattern and

comprising ewer, basin, chamber pot and

soap dish with cover and liner, (4) the

ewer 10in (25.4cm) tall

in blue and white,

of circular lobed form,

each 5in (12.7cm) tall, (2)

of double gourd form and decorated with

a dragon in relief and painted figures of

immortals, 9in (21cm) high

of bottle shape with printed gilt

decoration within panels,

14in (35.5cm) tall

the cover with two cherubs and other

detail in relief, the vase with two female

muses as handles and floral sprigs in relief

forming panels for hand painted floral

designs over a spreading base section and

with separate relief decorated stand,

complete with spare cover and stand,

the flaring neck over relief decorated

shoulders and with ornate gilt handles

above oviform central section on

spreading circular base, decorated to one

side with poppies and to the other with

berries and foliage, marked,

8in (21cm) tall

in Art Nouveau Brown pattern for

Wedgwood, comprising of bread plate,

sugar and cream and six cups, saucers and

side plates (21)

of circular form with two handles and on

three feet, black mark for 1891 - 1926,

one damaged, a Satsuma pottery bowl,

plate and small vase (5)

depicting Lord Randolph Churchill

Chancellor of the Exchequer 1886 a

staunch opponent to Irish political rule in

the mid nineteenth century,

of amphora shape with three gilt and

black handles, raised on three gilt and

black feet, decorated in the Nightingale pattern

in colours, one handle restored,

9in (22.8cm) tall

inscribed "Drake, South Yorkshire

Furnishing Emporium...", repaired,

of baluster form, the designs of foliage in

green over yellow, signed Herbert, one

small rim chip, 7in (17.2cm) tall

painted in the crocus pattern,

for Wilkinson Ltd of spreading ribbed

circular form and decorated with red

roofed cottage in garden setting, small

chips around casting holes and small foot

rim chip, 5in (12.7cm) tall

for A.J.Wilkinson, of shaped circular form

depicting a ‘crinoline lady’ in various

garden settings within borders of black,

red and yellow, each 6in (15.2cm) width,

(3)

for Wilkinsons Ltd, in ‘Melon’ pattern,

(3)

for Newport Pottery, of octagonal form

and decorated in the ‘Crocus’ pattern,

for Newport Pottery of circular stepped

form and decorated with bands of green,

yellow, black, blue and brown over cream,

for Wilkinson Ltd, decorated in relief with

the ‘My Garden’ pattern in black, yellow

and red over a mottled ground,

by Newport Pottery, of ribbed squat

oviform and decorated with a brown

roofed cottage by a bridge and stream

with trees in orange, black and yellow

over a pale green glaze, unmarked,

4in (10.2cm) tall

for Wilkinson Ltd, of a stylised bust of a

lady, decorated in yellow, red, brown and

orange on a buff ground, glued repair,

marked for Newport Pottery and

decorated with a sunrise design in orange

and purple and other abstract motifs in

yellow, black and blue, unmarked, the salt

slightly taller at over 3in (8cm), (2)

for Newport Pottery and a matching

conical salt shaker, decorated in green,

yellow, orange and brown with abstract

floral designs, the shaker bearing no

marks, also a salt shaker decorated with

‘Crinoline lady’ in garden setting,

unmarked and a mustard pot and cover

decorated with bands of colours,

unmarked and a single preserve pot cover

only in bands of yellow, red and green,

unmarked, some damages, (5)

for Wilkinson Ltd, modelled as an

oriental female face with garland of

flowers in relief around forehead in

colours over buff ground,

7in (18.4cm) tall

for Wilkinson’s, relief decorated with

floral basket in colours over cream,

marked and with retailers paper label,

9in (22.8cm) diameter

for Newport Pottery, decorated with two

cottages with smoking chimneys in

landscape setting in green, red, brown,

black and blue within border bands of

green and yellow, 9in (22.5cm)

for Wilkinson Ltd, depicting tall trees in

abstract landscape in shades of orange,

brown, yellow and beige within border

bands of yellow, beige and brown,

10in (25.4cm)

for Newport Pottery, decorated in bands

of orange, black, yellow, blue and green,

3in (7.7cm) tall

for Wilkinson Ltd, of circular form

decorated to the interior with bands of

orange, blue, green and purple, the

exterior with sunrise motifs in the same

palette, 6in (14.7cm) diameter

for Wilkinson Ltd, modelled in relief as a

gnome awakening beneath a toadstool

and decorated in yellow, green, red and

raised on geometric cross support and

decorated to the exterior with bands of

blue and black and to the interior with

abstract designs in shades of blue, orange,

green, yellow and black under an orange

marked with both Wilkinson Ltd and

Newport marks, of slender baluster form

with spreading circular sconce and base

section decorated in a geometric pattern

with band of triangular and diamond

shapes in red, yellow, green and blue

around the centre between bands of

similar colour, 9in (22.2cm)

of onion shape with tall neck and

iridescent swirling designs to the base

section

the pierced and relief decorated covers

over oval urns with pierced neck sections

and with tall handles with female masks

in relief and panels of hand painted floral

sprigs on spreading oval pedestal and

rectangular base sections further

decorated with foliate designs and all

highlighted in gilt, each 14in (35.5cm)

of curving circular form with relief

decorated handle in red with upper relief

band and foot rim over ‘Patent Metallic’

green gold body, 9in (22.8cm) tall

the pierced oval basket naturalistically

modelled in relief as plant form and

decorated to the interior with hand

painted bluebells, poppies and other

flowers on a stand modelled as a young

girl glazed in the white with flower basket

by a flower covered tree on a pierced

natural plateau, the base of tree bearing

some restoration and with two kiln firing

cracks, 13in (33cm) tall

including miniature witches croc, teapot

and other examples, (7)

comprising four leaf form serving dishes

with pierced edges, two footed comports

with pierced edges and stems and twelve

plates, all decorated with sprigs of roses

and highlighted in gilt, (18)

with unusual thistle finial formed in

plated metal with cranberry glass trumpet

bowl, the flaggon with ring handle and

fitted with wine label marked ‘Helpyersel’,

11in (28cm) tall

the tall neck over oviform body and on

stem and spreading circular base section,

12in (30.5cm) tall

with design of cockerel in red, blue, green

and yellow by Picasso,

of cylindrical shape in smoked glass,

marked, 9in (22.8cm) high

of hexagonal flaring form with etched

design of Art Deco nude to one side,

the shaped circular dish with beaded edge

and floral central motif on slander stem

and two glasses, the faceted decanter with

(3)

of circular form with bulbous mid section,

of circular form with moulded square

mottled design all over,

modelled as a Japanese boy and girl, their

clothing decorated in colour enamels and

faces and hands left unglazed,

each 9in (22.8cm) tall

decorated to the square form tapering

body with dragon serpents in panels and

highlighted in black over red,

of squat oviform with floral designs in

colours over blue, impressed marks and

signature mark in blue,

of oviform with flaring neck rim and

decorated with flowers in colours over

green/blue, impressed marks and signature

mark in blue, 6in (15.3cm) tall

of oviform with decoration of flowers in

colours over blue, impressed marks and

signature mark in blue, 6in (15.3cm) tall

of tall oviform with incised and tube lined

Persian designs in shades of blue and

green over white, impressed marks and

signature mark in blue,

of tall spreading oviform shape with

flaring neck rim and with tube lined floral

designs beneath a deep crimson glaze,

impressed marks and signature mark in

in Moonstone design with circular silver

of circular form with bulbous mid section,

modelled as simulated bamboo in yellow,

of ribbed oviform shape in beige glaze,

tiny rim chip, 9in (22.8cm) high

modelled as an athletic young woman in

standing pose and on a stepped white

onyx base, 7in (17.8cm) high

decorated in polychrome and with a

flower spreader insert,

plates (4)

5in (12.7cm) high; and two other figures

of foxes (3)

each modelled as a fox’s head,

5in (12.7cm) high

embossed with Celtic motifs to the

corners, 18in (45.7cm) wide

the foliate rim and relief decorated neck

over shaped oviform mid section with

dragon handles and on a stepped circular

base, decorated to each side with pink

roses, marked, 9in (22.8cm) high, tiny

chips to one handle

an amethyst glass faceted oval bowl,

the splayed lip over faceted body marked

in the ground pontil B586,

6in (15.2cm) tall

decorated in Meissen pattern underglaze,

modelled as a female head in profile in

Magna pattern, comprising of coffee pot;

sugar and cream, six cups and six saucers,

(15)

for Crown Ducal, of ribbed circular form

and tube lined in colours with abstract

flowers in greens and orange over beige,

12in (30.5cm) tall

of a lady in long evening gown on a

the rim with gilt decoration over acid

etched enamelled lily design, the base

marked with gilt trademark inscribed

DONT JOVE, L & C and with Bishop

with Crosier, 6in (15.3cm) high

by Mintons, decorated in underglaze blue

with abstract foliate designs, comprising

one square tile 6in x 6in (15.2cm x

15.2cm) and four frieze tiles 6in x 3in

(15.2cm x 7.6cm)

of circular form and tube lined with

flowers in red, brown and green over

mottled beige ground, signature mark and

numbered 6016, 14in (35.5cm) diameter

comprising twelve plates, four marquise

shaped comports, three damaged and two

shaped comports, decorated in blue, red

and gilt on white ground, pattern number

4542, (18)

modelled in ‘Gainsborough’ style costume

in colours, the base section with armorial

painted with flowers in polychrome,

decorated with bands of green over white,

modelled internally with paper figures in

room interior gathered around central

attraction, possibly a hot spring, seen in

three dimensions when viewed directly

above, a further garden setting with

figures and architecture viewed from one

side, the figures in 1840’s period costume,

on an opalescent glass base,

3in (7.7cm) high

modelled a Victorian dressed maiden with

urn on shoulder, on naturalistic base

of oval open lattice work design, the rim

modelled in relief with flowerheads and

briars, impressed mark on plaque below,

9in (22.8cm) wide

in the Watteau pattern, the ewer

12in (30.3cm) high

modelled as a male and female in Roman

style costume on naturalistic base section,

modelled as a male and a female in period

costumes, losses and restoration,

relief decorated allover with leaf designs

interspersed with small hand painted

relief decorated allover with leaf designs

interspersed with small hand painted

for Newport, comprising serving dish, six

dishes and sauce boat, each piece

modelled in relief with enamelled fish,

the boat restored, (8)

decorated inside and out with tube lined

Westbourne pattern showing song birds in

branches, 26 pieces

painted with floral sprigs, comprising of

two comports and twelve dishes (14)

comprising of two bread plates; twelve

side plates; twelve saucers; eleven cups

and sugar and cream, 49 pieces

for wine glasses, with wheel cut designs

and star cut bases

a small overlaid glass perfume bottle, a

glass inkwell and a crystal decanter and

stopper, (7)

probably by Minton, modelled as a male

and as a female each holding a basket on

their shoulders and wearing gilt edged

white robes, the base section in white with

floral panels within blue and gilt,

14in (35.5cm) high

each modelled as a highlander and female

companion seated beneath a bower,

Julia pattern, comprising of six cups,

saucers and plates, biscuit plate,

sugar and cream (21)

a painted milk jug, decorated with floral

designs in polychrome, signed with

similar circular plate, cracked (2)

a painted circular bowl decorated with

stylised flowers and raised on three feet,

signed with monogram,

painted with fruit in polychrome,

8in (20.3cm) diameter; and a Bough vase

(2)

the salt and pepper pots each modelled as

of flaring cylindrical form, in yellow to

green and orange, impressed mark,

of broad oviform shape and painted with

stylised trailing foliage in polychrome,

Aubrey pattern, decorated with Art

Nouveau trailing motifs in shades of green

diameter

a painted teapot, inscribed "The Tall

Ships Come and The Tall Ships Go", over

a sea scene with sailboats, painted rabbit

a painted sugar caster decorated with

striped designs in blue, brown and black,

painted rabbit and gate mark,

a green vase with incised scrolling leaf

designs, design number 526,

a cream vase with incised line decorated

body beneath a flaring neck, design

decorated with tube lined Art Nouveau

floral motifs in lilac and green, unmarked,

4in (10.1cm) diameter

in green with an incised fish design, the

flaring body with a loop handle,

impressed on the base "Made for Liberty

& Co", small chip, 7in (17.8cm) high

decorated in relief with figures, with a

musical fitment to the underside,

with matched stoppers, two other

decanters and a rummer (5)

painted with cabbage roses in pink with

green over white, with twin handles,

painted mark in black, 9in (22.8cm) wide

painted with cabbage roses in pink with

green over white, impressed mark

of ribbed form and in bands of splash

decoration in yellow, blue and green,

8in (20.3cm) tall

of circular form and decorated to the

interior with hieroglyphs and titled to the

exterior ‘Tutankhamen’s treasures Luxor’,

9in (22.9cm) diameter

in Imari colours, the base numbered 383,

10in (25.4cm) wide

8in (20.3cm) high

modelled as a seated female a parrot,

minor damages

probably by Beswick, modelled as a

female face with a green hat, impressed

decorated with stylised sunflowers, script

mark and original label inscribed

437/3996, repair at finial,

8in (20.3cm) high

modelled as a female face with yellow and

green hat, 9in (22.8cm) high

of slender form with leaf formed rim and

tube lined foliate designs in shades of

blue, printed Macintyre mark in brown,

signed in green, restoration at rim,

6in (15.2cm) high

a painted and tube-lined Crown Ducal

two handled vase, with flowerheads in

orange, black, yellow and gilt, signed and

numbered 148, 6in (15.2cm) high

a painted and tube-lined Crown Ducal

circular plaque, with stylised floral designs

in orange, blue and red, signed,

a painted and tube-lined Crown Ducal

circular plaque, with stylised foliate

designs in orange, green, blue and yellow

over green, signed,

a painted and tube-lined Crown Ducal

circular plaque, with stylised flowerheads

in yellow and orange, signed,

a painted and tube-lined Bursley Ware

dressing table set, comprising of a tray,

pair of candlesticks and jar with cover,

each with stylised floral designs in brown,

yellow and red (4)

a painted and tube-lined Bursley Ware

vase, with stylised fruit and floral designs

in blue, orange, yellow and brown,

9in (22.8cm) high

a painted and tube-lined circular bowl,

decorated with stylised foliage in orange,

yellow, blue and brown, signed,

10in (25.4cm) diameter

twin handled and painted with stylised

foliage in polychrome and gilt,

incised and painted with male and female

figures in medieval dress in a garden

setting between borders of relief

decoration and with ornate pewter cover

the hinged top formed as the head over a

cork stopper, the body in cranberry glass,

Patricia, M8, 4in (10.1cm) high

Fat Boy, 4in (10.1cm) high

including two mugs and three elephant

figure candlesticks, two teapots and a

ewer (8)

the simulated wicker spherical body

supported by three winged cherubs and

on a floral circular plateau,

6in (15.2cm) high

in blue to red and of broad oviform

shape, 9in (22.8cm) high

engraved with a scene depicting a male

figure serenading a woman at a window,

signed with initials and numbered,

comprising of a circular bowl, six serving

bowls and stands, each in mottled blue to

white, acid etched signature (13)

in green to orange, the broad neck

tapering to spreading foot,

in orange, the broad neck tapering to a

circular base, 6in (15.2cm) high

with a flaring neck and oviform body,

3in (7.6cm) high

by Timo Sarpaneva, in blue and of

oviform shape, signed,

in shades of green and of oviform shape,

in blue to green with gold aventurine, the

oviform body stemmed above a circular

in black to green with gold aventurine,

with scaling decoration and applied

details beneath the leaf formed rim,

the cylindrical yellow upper section over a

mottled red cylindrical section and green

base, signed on the underside,

with fruiting vine designs to the

cylindrical body, loop handle and base,

irides