Pictures
Still Life with Fruit,
dated 1891,
oil on canvas,
10 x 14 (25.4cmns x 35.5cms). 100-150
152
WILLIAM CURRIE
Costal View and a companion,
oil on canvas, a pair,
each 12 x 18 (30.5cms x 45.7cms) (2) 150-200
153
SCOTTISH SCHOOL
The Stone Bridge,
oil on canvas,
8 x 12 (20.3cms x 30.5cms). 40-60
154
JAMES MacDONALD
On the Shore,
dated 1815,
watercolour,
6 ¼ x 11 (15.8cms x 27.9cms). 30-50
155
SCOTTISH SCHOOL
Still Life with Fruit,
oil on panel,
initialled J.K./07,
10 x 12 (25.4cms x 30.5cms). 70-100
156
SCOTTISH SCHOOL
Sailboats at Dusk,
oil on board,
Initialled R.B.,
8 ½ x 12 ½ (21.5cms x 31.7cms). 70-100
157
PAIR OF FRAMED COLOUR PRINTS AFTER ALFRED STRUTT,
Here We Score and Weve Got No Work To Do,
each 22 x 32 ½
(55.9cms x 82.5cms) overall. 60-90
158
FRAMED COLOUR PRINT AFTER JOHN PETTIE, Two Strings
To Her Bow, 22 x 27 (55.9cms x 68.6cms) overall;
and another
similarly-framed print (2). 70-100
159
PAIR OF GILT-FRAMED COLOUR OVAL PRINTS, Autumn
and Winter, each 30 ½ x 26 ½ (77.5cms x 67.3cms)
overall. 60-90
160
A. MacROBERTS
Still Life with Fruit in a Basket,
oil on canvas,
13 x 17 (33cms x 43.2cms). 40-60
161
GILT-FRAMED PHOTOGRAPHIC IMAGE ON OPAQUE GLASS,
Baby, inscribed Mitchell/Glasgow, 16 ¾ x 14
(42.5cms x 35.5cms)
overall. 30-50
162
SCOTTISH SCHOOL
Coastal View,
oil on canvas,
8 x 12 (20.3cms x 30.5cms). 40-60
163
VICTORIAN PORTRAIT PHOTOGRAPG OF A LADY, in a gilt frame,
19 ¾ x 15 ½ (50.2cms x 39.3cms) overall. 30-50
164
SCOTTISH SCHOOL
Country Road,
oil on canvas,
Initialled H.D.M.,
12 ¼ x 16 ¼ (31.1cms x 41.2cms). 60-90
165
SCOTTISH SCHOOL
Landscape with Figures on a Road,
oil on canvas,
8 x 12 (20.3cms x 30.5cms). 40-60
166
SCOTTISH SCHOOL
Village Scenes,
oil on canvas, a pair,
Each initialled E.B.,
14 x 10 (35.5cms x 25.4cms). 70-100
167
SCOTTISH SCHOOL
Landscape with a River and Bridge,
oil on canvas,
Signed Fraser,
16 x 24 (40.6cms x 61cms). 40-60
168
GILT-FRAMED COLOUR PRINT,
A Careful Approach,
18 x 24 ½ (45.7cms x 62.2cms) overall. 25-35
169
THE ROYAL HOUSE OF STUART, by John Skelton,
a set of forty colour plates after William Gibb, 1890. 80-120
170
TOM CAMPBELL
Silver Moon Arbroath; & Clyde Coast, Brodick,
watercolours, a pair
each 9 ½ x 13 (24cms x 33cms). (2) 800-1000
171
TOM CAMPBELL
Cardingwell Bay, Oban
watercolour,
11 x 17 ¾ (28cms x 84cms). 300-400
172
WILLIAM LANGLEY
Loch Tay,
oil on canvas,
15 ½ 24 (39.5cms x 61cms). 400-500
173
JAN VAN COUVER
Dutch River Scene, On the Vecht,
watercolour,
14 x 20 (35.5cms x 51cms). 400-500
174
W.L. WYLLIE
Unloading The Catch,
etching,
10 ½ x 19 ½ (27cms x 49.5cms). 300-400
175
RALSTON GUDGEON
Turkeys,
watercolour,
14 x 20 (36cms x 51cms). 300-400
176
F.E. JAMIESON
Loch Achray,
oil on canvas,
15 ½ x 22 ½ (39.5cms x 57cms). 200-300
177
G. TREVOR
Friars Crag,
watercolour,
10 ¼ x 14 ½ (26cms x 36.8cms). 150-200
178
GEORGE OSWALD CRIBBES
Street Scenes,
watercolours,
9 ½ x 13 ¼ (24.1cms x 33.6cms) and
14 ½ x 10 ¾ (26cms x 27.3cms) (2). 200-300
179
VICTORIAN PRINT IN MONOCHROME
Saving Dolly!
framed in rosewood,
20 x 28 ½ (50.8cms x 72.4cms) overall. 100-150
180
A. BUXTON
On the Shore,
watercolour,
10 x 15 (25.4cms x 38.1cms). 60-90
181
COLOURED ENGRAVING
River Scene, signed in pencil,
7 ½ x 9 ½ (19cms x 24.1cms). 20-30
182
SCOTTISH SCHOOL
Autumn Landscape,
oil on board,
18 x 10 (45.7cms x 25.4cms). 40-60
183
SCOTTISH SCHOOL
Roses in a Basket,
oil on canvas,
15 x 19 (38.1cms x 48.2cms). 100-150
184
GROUP OF THREE JAPANESE WOODBLOCK PRINTS,
Figure Subjects, in gilt/black slips. 100-150