Catalogue for auction of Oil Paintings and Watercolours, 20th February 2001

Lot Number, Description and Estimate

  • 1                         Ian McNicol (20th Century), Arran from the Ayrshire Coast, watercolour, signed, dated "54", 8 1/2 in. x 11 in. (21.5 cm x 28 cm)            100 – 150      .NS
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  • 2                         William Dyce (1806-1864), Euphemia Murray and her Daughter, oil on canvas, inscribed verso and labelled, 36 in. x 28 in. (91.4 cm x 71.1 cm)    400 – 600        .NS
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  • 3                         Peter Macgregor Wilson (d.1928), Sailboats Offshore, oil on board, signed, 9 in. x 16 in. (22.8 cm x 40.7 cm)    100 – 150        .85
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  • 4                         Jamieson, Madonna and Child, oil on canvas, inscribed indistinctly verso and dated “1800”(?), 30 in. x 25 in. (76.2 cm x 63.5 cm)         400 – 600       .NS
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  • 5                         David Crawford, Arran from Portencross, oil on canvas, signed and inscribed verso, 12 in. X 18 in. (30.5 cm x 45.7 cm)  100 – 150        .130
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  • 6                         Scottish School (20th Century), A Young Officer, oil on canvas, 30 in. x 25 in. (76.2 cm x 63.5 cm)              150 – 200        .NS
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  • 7                         Harold Wallace (20th Century), Still Life with a Cloisonne Vase, Fruit and Wine, watercolour, signed, dated 1920, 24 in. x 16 in. (61 cm x 40.7 cm)    200 – 300        .140
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  • 8                         Mary Ballantine, Dulsie Bridge, River Findhorn, oil painting, signed, 30 in. x 25 in. (76.2 cm x 63.5 cm)     400 – 600          .NS
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  • 9                         T. Walter Wilson (19th Century), Wounded Soldier, watercolour, signed, 8 1/2 in. x 7 in. (21.6 cm x 17.8 cm)    180 – 250        Exhibited: Walker Art Gallery, Liverpool, 1886, number 1,098              .NS
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  • 10                     J.A. Henderson Tarbet (d.1938), Fishing on a River in Autumn, oil on canvas, signed, 24 in. x 36 in. (61 cm x 91.4 cm)  1000 – 1500    .NS
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  • 11                     T.G. McGill Duncan (20th Century), Still Life with flowers, oil on board, signed, dated "49", 22 in. X 17 in. (55.9 cm x 43.1 cm)      50 – 70            .NS
  • 12                     Victorine Buttberg (fl.1930s-1940s), Roses in a Blue Jug, oil on board, signed, 20 in. x 24 in. (50.8 cm x 61 cm)    150 – 200                    Note: An Edinburgh artist who is well-known for flower pieces of this type.       .NS
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  • 13                     Russian School, Warship Offshore, oil on canvas, signed and inscribed verso indistinctly, 20 1/2 in. x 24 1/2 in. (52 cm x 62.2 cm), frameless        60 – 90            .48
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  • 14                     Ralston Gudgeon (b.1910), Duck in Flight, watercolour, signed, 20 in. x 24 in. (50.8 cm x 61 cm) 200 – 300    Note: The artist, born in Ayr, is best known for his subjects of birds and animals.           .NS
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  • 15                     David Martin (fl.1887-1935), Largo Bay, watercolour, signed and inscribed, 20 in. x 30 in. (50.8 cm x 76.2 cm), frameless              500 – 700        Note: The artist’s works were exhibited in Glasgow and Edinburgh. Primarily a painter of Fife harbours and fishing villages.           .NS
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  • 16                     G.A. Reid, Roses, oil on canvas, signed and dated "1922", 10 in. x 14 in. (25.4 cm x 35.6 cm)      120 – 160    .160
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  • 17                     After Alfred William Strutt (1856-1924), Friends, crystoleum, 7 in. x 10 1/2 in. (17.8 cm x 26.7 cm)         150 – 200          .120
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  • 18                     William Johnstone, Portrait of Rena Bartlett, 1925, oil on canvas, signed, 30 in. x 25 in. (76.2 cm X 63.5 cm)    100 – 150        .NS
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  • 19                     R. Pasquall Robinson, Farmer and Two Cows, oil on canvas, signed, 8 in. x 12 in. (20.3 cm x 30.5 cm)    200 – 300          .260
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  • 20                     British School (20th Century), Village Street Scene, oil on board, inscribed indistinctly "at Versailles" (?), 14 in. x 15 in. (35.6 cm x 38.1 cm)           100 – 150        .110
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  • 21                     Scottish School (19th Century), Trongate, Glasgow, watercolour, signed indistinctly, dated 1805, 10 in. x 12 in. (25.4 cm x 30.5 cm)         200 – 300        The Tron Tower can clearly be seen in the distance of this work.    .1300
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  • 22                     George C. Cameron, Stack Polly, Wester Ross, oil one on board, signed, 14 in. x 18 in. (35.6 cm X 45.7 cm)    40 – 60            .NS
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  • 23                     British School (19th Century), Portrait of a Gentleman, oil on panel, 12 in. x 10 in. (30.5 cm x 25.4 cm)     150 -- 200          .90
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  • 24                     George Melvin Rennie (f.1890s), Duntolem Castle, Skye, oil on canvas, signed, 18 in. x 24 in. (45.7 cm x 61 cm)    600 – 800                    Note: A typical work by the artist, who executed landscapes throughout the West Coast of Scotland and beyond.     .NS
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  • 25                     Robert A. Kennedy, Twilight, oil on canvas, signed, labelled verso, 12 in. x 14 in. (30.5 cm x 35.6 cm)     200 – 300                      .NS
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  • 26                     John MacWhirter (1839-1911), The Cumbraes, watercolour, signed and inscribed verso, 9 1/2 in. x 15 in. (24.1 cm x 38.1 cm)      400 – 600        .NS
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  • 27                     William Walls (1860-1942), Yetholm Bridge, Edinburgh, watercolour, 10 1/2 in. x 16 in. (26.7 cm x 40.6 cm)    100 – 150       Note: The artist’s earlier works were often studies of zoo animals which were painted in Antwerp. He was one of the founders of Edinburgh Zoo.   .75
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  • 28                     William Walls (1860-1942), Landscape, watercolour, signed and inscribed indistinctly, 13 in. x 19 in. (33 cm x 48.3 cm)  70 – 100         Note: See above.          .25
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  • 29                     William Walls (1860-1942), Creich Point, 1920, watercolour, signed, 7 1/2 in. x 10 1/2 in. (19 cm x 26.7 cm)    70 – 100         Note: See above.          .40
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  • 30                     Arthur Dean, Fishing Village in Berwickshire, watercolour, signed, 12 in. x 21 in. (30.5 cm x 53.3 cm)       180 – 250          .270
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  • 31                     Robert McGown Coventry (1855-1942), Path by a Loch, oil on canvas, signed, 10 in. x 14 in. (25.4 cm x 35.6 cm)          500 – 700        Note: The artist studied under Robert Greenlees and is best-known for his Scottish fishing village subjects.                  .600
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  • 32                     William Drummond Bone (1907-1979), Camp in Luneberg, watercolour, signed, 9 in. x 12 in. (22.8 cm x 30.5 cm)          70 – 100         Note: The nephew of Sir Muirhead Bone, he became a lecturer after war service. His best works are considered to be watercolours and drawings of wartime subjects.  .NS
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  • 33                     William Drummond Bone (1907-1979), Nude Female Subject, pencil sketch, 11 1/4 in x 5 1/4 in. (28.6 cm x 13.3 cm)  50 – 80           Note: See above                       .20
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  • 34                     William Drummond Bone (1907-1979), Sergeant’s Quarters, 1942, watercolour, signed, inscribed and dated, 13 1/2 in. x 10 in. (34.3 cm x 25.4 cm)                      60 – 90            Note: See above           .30
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  • 35                     John Cook, Woodland River, oil on board, 16 in. x 20 in. (40.7 cm x 50.8 cm)     50 – 70            .65
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  • 36                     Attributed to George Dutch Davidson (1879-1901), Alpine Hillside, oil on board, signed, 10 in. x 13 in. (25.4 cm X 33 cm) 200 – 300        Note: George Dutch Davidson was born in Yorkshire and turned to art after influenza forced him to abandon his career of engineering in Dundee. He was influenced by John Duncan, with whom he shared a studio and, in 1899, visited the Continent with his mother. Died in Scotland.         .NS
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  • 37                     Chris McGregor, Study of a Collie, 1920, pastel, signed, 14 in. x 10 1/2 in. (35.6 cm x 26.7 cm)  100 – 150    .130
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  • 38                     William Strang (1859-1921), Portrait of an Officer, pencil & crayon, signed and dated 1916, 15 in. x 10 1/2 in. (38.1 cm x 26.7 cm)                     70 – 100         .210
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  • 39                     John Davison Liddell (1859-1942), Bracklin Falls, Callander, oil on canvas, signed, 36 in. x 24 in. (91.4 cm x 61 cm)                      300 – 400        .400
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  • 40                     Scottish School (19th Century), Coastal Town at Dusk, watercolour, 9 1/2 in. x 13 1/2 in. (24.1 cm x 34.3 cm)    50 – 80           .45
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  • 41                     William Miller Frazer (1864-1961), Gathering Daisies, oil on canvas, signed and dated "89", 8 in. x 14 in. (20.3 cm x 35.6 cm)                  500 – 700        Note: Famous for his Impressionist-style English and Scottish landscapes, the artist exhibited for a record 73 years at the Royal Scottish Academy.         .NS
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  • 42                     William Miller Frazer (1864-1961), Duddingston Loch, oil on canvas, signed, 13 in. x 20 in. (33 cm x 50.8 cm)    600 – 900       Note: See above.          .1300
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  • 43                     Mary Ballantine, The Glass Vase, oil on canvas, signed, 24 in. x 20 in. (61 cm X 50.8 cm)            200 – 300    .NS
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  • 44                     Mary Nicol Neill Armour (b.1902), A Bridge on the Allander, watercolour, signed, dated verso 1934, 11 in. x 15 1/2 in. (28 cm x 39.4 cm)                    600 – 900        Note: The artist married William Armour in 1927 and is known for her landscapes and still life subjects.  .NS
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  • 45                     William Alfred Gibson (1866-1931), On the Loire, oil on canvas, signed, 13 in. x 18 in. (33 cm X 45.7 cm)                1500 – 2000    Note: A typical work by the artist who was strongly influenced by the Dutch School.    .NS
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  • 46                     Cowan Dobson (1894-1980), Portrait of Toffolo Jackson, oil on canvas, signed, 18 in. x 14 in. (45.7 cm x 35.6 cm)          60 – 90           .45
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  • 47                     Hugh Collins (d.1896), Tender Care, 1873, oil on canvas, signed and dated "1875", 24 in. x 20 in. (61 cm x 50.8 cm)                      1000 – 1500    Note: The artist was primarily a portrait painter who lived and worked in Dundee and exhibited at the Royal Scottish Academy.       .NS
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  • 48                     Thomas T. Blaylock, A Secret Pool, pastel, 16 1/2 in. x 22 1/2 in. (41.9 cm x 57.1 cm)    150 - 200        .150
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  • 49                     Sir James L. Caw (1864-1950), Rhum, watercolour, 9 1/2 in. x 13 1/2 in. (24.1 cm x 34.3 cm)      100 – 150    Note: The artist was a curator of the Scottish National Portrait Gallery and National Galleries of Scotland. He was best known for landscapes and coastal scenes.           .NS
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  • 50                     Sir Harry Jefferson Barnes (d.1982), Glasgow Street Scene, oil on panel, 18 in. x 15 in. (45.7 cm x 38.1 cm), frameless  100 – 150       Note: A typical work of the artist who lived in Glasgow and who was a founder of the Charles Rennie Mackintosh Society.         .140
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  • 51                     Noni McCrone, Benni-Beg, oil on canvas, signed with initials, 25 in. x 30 in. (63.5 cm x 76.2 cm) 100 – 150    .150
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  • 52                     William Drummond Bone (1907-1979), Hoek-Terneuzen, watercolour, signed, inscribed and dated "1945", 9 in. x 12 in. (22.8 cm x 50.5 cm)        50 – 80            Note: The nephew of Sir Muirhead Bone, he became a lecturer after war service. His best works are considered to be watercolours and drawings of wartime subjects.     .35
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  • 53                     Henry Taylor Wyse (1870-1951), The Windmill, pastel, signed and dated "1939", 12 in. x 19 in. (30.5 cm X 48.3 cm)  150 – 200        Note: A close friend of James Watterson Herald when art master at Arbroath High School, the artist later moved to Edinburgh where he painted in watercolour and pastel, decorated ceramics and wrote books on painting.  .NS
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  • 54                     Scottish School, Portrait of a Female in Profile, bust length, oil on board, 14 in. x 10 in. (35.6 cm x 25.4 cm)    200 – 300       .NS
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  • 55                     Scottish School, in the style of Robert Brough, Portrait of a Young Girl, bust length, oil on canvas, 16 in. x 12 in. (40.7 cm x 30.5 cm)         300 – 500       Note: Robert Brough died in a railway accident in 1905, aged just 32. He had been a close friend of J.D. Peploe, with whom he visited Paris and is known for his decorative portraits of which this lot typifies his style.                   .100
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  • 56                     James Connell, Near Callander, oil on canvas, signed, 20 in. x 27 in. (50.8 cm x 68.6 cm) 500 – 700        .NS
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  • 57                     W.K. Robertson (20th Century), Flowers, oil on canvas, signed, 14 in. x 18 in. (35.6 cm x 45.7 cm), frameless    30 – 50           .NS
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  • 58                     Agnes M. Fairley, Roses, oil on canvas, signed, 18 in. x 24 in. (45.7 cm x 61 cm) 200 – 300        .240
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  • 59                     After Albert Moore (1841-1893), Rest Time, print in monochrome, framed in oak, 17 in. x 26 in. (43.2 cm x 66 cm) overall           30 – 50           .NS
  • 60                     George Houston (1869-1947), Evening, Glen Sannox, oil on board, signed, 17 in. x 26 in. (48.2 cm x 66 cm)    250 - 350        Note: An artist whose speciality was landscapes of Argyll and Ayrshire, he had a house near Lochgoilhead where he painted some fine works.  .NS
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  • 61                     Joseph Morris Henderson (1863-1936), Poets Cottage, Aberfoyle, oil on canvas, signed, 20 in. x 26 in. (50.8 cm x 66 cm)         1000 – 1500    Note: The artist was the son of Joseph Henderson and his coastal scenes, landscapes and seascapes show his father’s influence.       .NS
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  • 62                     Henry Shields (fl.1880s-1890s), Shipping in Rough Seas, oil on canvas, signed, 8 in. x 12 in. (20.3 cm x 30.5 cm)          600 – 900       .NS
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  • 63                     Robert Clouston Young, The Rock Pool, watercolour, signed and with artists label verso, 12 in. x 16 in. (30.5 cm X 40.6 cm)          250 – 350        Note: This lot is typical of the artist’s work, where he painted children at the seaside or by ponds. He was also well known for his scenes of shipping on the Clyde.       .300
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  • 64                     Tom Owen, Steam Vessel "Panama" in Profile, watercolour, signed and dated 1906, 7 1/2 in. x 14 1/2 in. (19 cm x 26.8 cm)                       100 – 150        .120
  • 65                     Christopher Wood, Peppers, oil on canvas, signed and dated "1988", 20 in. x 24 in. (50.8 cm x 61 cm)    150 – 200          .NS
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  • 66                     G. Cattermole, Warrior on Horseback, pastel in colours, signed in pencil, 17 in. x 12 1/2 in. (43.2 cm x 31.8 cm)    150 – 200        .NS
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  • 67                     Mary N. Brun, Poppies, Daisies and Cornflowers, watercolour, signed, 15 in. x 11 in. (38.1 cm x 28 cm)  150 – 200          .NS
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  • 68                     Continental School (20th Century), Farm Workers, oil on board, signed indistinctly, 7 in. x 9 in. (17.8 cm x 22.8 cm)          100 – 150       .45
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  • 69                     Barbara Balmer (b.1929), Cool Still Life, watercolour, signed, 14 in. (35.6 cm) square                  70 – 100    Note: The artist studied at Edinburgh and Coventry Colleges of Art and married George Mackie. She painted landscapes, portraits and still life in oil and watercolour.     .NS
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  • 70                     John Cochrane (20th Century), Scottish Loch Scene with Castle Ruins, watercolour, signed, 14 1/2 in. x 19 in. (36.8 cm x 48.3 cm)         100 – 150        .NS
  • 71                     Henry John Dobson (1858-1929), The Old Fisherman, oil on canvas, signed, 24 in. x 20 in. (61 cm x 50.8 cm)    400 – 600        Note: Apart from a visit to America in 1911 the artist lived and worked in Edinburgh and Kirkcudbright. He is known mainly for subjects of this type, interiors and genre scenes. He exhibited at the Scottish Gallery in 1900.   .NS
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  • 72                     Tom Whitehead (20th Century), In the Highlands and a Companion, watercolours, a pair, each 11 in. x 15 in. (28 cm x 38.1 cm) (2)            100 – 150        .100
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  • 73                     David Gauld (1865-1936), Homewards, oil on canvas, signed indistinctly and labelled verso, 8 in. x 14 in. (20.3 cm x 35.6 cm)      500 – 700        Note: The artist was a friend of Charles Rennie Mackintosh and some of his earlier pictures show his influence. He is, however, better known for his works showing cattle or calves.     .NS
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  • 74                     Attributed to Sir John Lavery (1856-1941), By the Sea, a Seated Female Holding a Parasol, oil on panel, 13 3/4 in. x 9 3/4 in. (34.9 cm x 24.7 cm)            2000 – 3000   Note: Lavery was born in Belfast and later studied in Glasgow with William Kennedy and William Stott of Oldham amongst others. He helped found the International Society with Whistler in 1898 and worked in France, Italy and North Africa. He painted landscapes, portraits, figures in landscapes and horse-racing scenes.       .7000
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  • 75                     J. Miller, Offshore, oil on board, signed, 10 in. x 14 in. (25.4 cm x 35.6 cm)          200 – 300        .NS
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  • 76                     Herbert F. Royle (1870-1958), Bolton Abbey, Yorkshire, oil on canvas, signed, 16 in. x 24 in. (48.7 cm x 61 cm)          2000 – 3000   .4200
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  • 77                     J.R. Crofton, Head of a Shetland Pony, oil on canvas, signed and labelled verso, 11 in. x 14 in. (27.9 cm x 35.6 cm)          200 – 300        .NS
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  • 78                     Dutch School, Coastal View with Shipping and a Windmill, 14 in. x 27 in. (35.6 cm x 68.5 cm)     1500 – 2000    .1700
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  • 79                     William Stewart MacGeorge (1861-1931), Spring Landscape with Children Gathering Flowers, oil on canvas, signed, 10 in. x 12 in. (25.4 cm x 30.5 cm)                       1500 – 2000   Note: The artist was influenced by Hornel, whose persuasion led him to use brighter colours. Subjects typically painted by him are of children playing, fishermen by rivers and fields of flowers.   .1500
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  • 80                     Ramsay Geikie, Laide, Wester Ross, watercolour, signed, 10 in. x 15 in. (25.4 cm X 38.1 cm)      70 – 100    .NS
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  • 81                     Charles Taylor, American Merchant Man of About 1840 off the Dutch Coast, watercolour, 14 1/2 in. x 22 1/2 in. (36.8 cm x 57.2 cm)    600 – 800       .550
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  • 82                     George Renfrew Wilson, Near Polmaddy, Glenkemp, watercolour, 12 in. x 18 in. (30.5 cm x 45.7 cm)     70 – 100          .NS
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  • 83                     J.A. Henderson Tarbet (d.1927), Highland River Scene, oil on board, signed, 12 in. x 16 in. (30.5 cm x 40.7 cm)    200 – 300        .180
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  • 84                     Elspeth Buchanan, The Maid, watercolour, 20 in. x 15 in. (50.8 cm x 30.1 cm)     50 – 80            .NS
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  • 85                     Attributed to Edwin Hayes (1819-1904), Stormy Weather Offshore, oil on the board, signed, 7 in. x 15 in. (17.8 cm x 38.1 cm)      300 – 500       .400
  • 86                     James McMaster (1856-1913), Warning Light, watercolour, signed and inscribed "Warning Light", 15 in. x 23 in. (38.1 cm x 58.4 cm)         400 – 600        Note: Essentially a landscape and coastal painter, the artist specialised in fishing scenes and boats in harbour.       .NS
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  • 87                     English School (19th Century), Castle Ruins with Sheep in the Foreground, watercolour, 16 in. x 22 in. (40.6 cm x 55.9 cm)           150 – 200        .50
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  • 88                     Joseph Milne (1861-1911), Unloading the Catch, oil on canvas, signed, 21 in. x 36 in. (53.3 cm x 91.4 cm)    1000 – 1500    Note: The artist is known for his landscapes, which are often in an         Impressionist manner. He was the father of John Maclauchlan Milne.       .2200
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  • 89                     Attributed to Miles Birket Foster, Playing in the Shallows, watercolour, monogrammed, 5 1/2 in. x 7 1/2 in. (14 cm x 19 cm) painted oval  500 – 800        .NS
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  • 90                     Walter R. McNiven, Lindisfarne Castle, Holy Island, oil on board, signed, 7 in. x 9 in. (17.8 cm x 22.9 cm)    50 – 70            .NS
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  • 91                     After Peter Howson, Mexican painting and companion, prints in colour, signed in pencil and dated "81", each 16 in. X 11 in. (40.7 cm x 27.9 cm)   150 – 200        .NS
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  • 92                     Andrew Kellock Brown, Highland Moor, watercolour, signed with the initials, 9 in. x 13 in. (22.9 cm x 33 cm)                50 – 70            .60
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  • 93                     William Strang, the forest worker, etching, signed, 12 1/2 in. x 9 1/2 in. (31.8 cm x 24.1 cm)         80 – 120    .110
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  • 94                     Scottish School, Still Life with Apples, oil on canvas, monogrammed "MWH", 16 in. x 18 in. (40.7 cm x 45.7 cm)          50 – 80            .NS
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  • 95                     J. Moore (20th century), Caledonian Railway Engine and Tender in Profile, signed, 18 in. x the 36 in. (45.7 cm x 91.4 cm) frameless           200 – 300        .NS
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  • 96                     J.N. McLaurin, Girls by a Shoreline Village, watercolour, signed, 18 in. x 14 in. (45.7 cm x 35.6 cm)            300 – 500        .NS
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  • 97                     James Kinnear (fl.1875-1917), The Abbey strand and Canongate from Holyrood Palace, Edinburgh, watercolour, signed and dated 1906, inscribed and dated verso, 8 in. X 12 in. (20.3 cm x 30.5 cm)           800 -- 1,200       Note: The artist’s views of Edinburgh are what he is best known for painting. Some of his work’s were reproduced in the Art Journal.       .720
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  • 98                     Garman Morris, Sunset, watercolour, signed, 11 in. x 15 in. (27.9 cm x 38.1 cm)  150 – 200        .NS
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  • 99                     Attributed to Thomas Lindsay, The Bathing Pool, oil on board, 18 in. x 24 in. (45.7 cm x 61 cm)   300 – 400    .NS
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  • 100                 James Aitken, Fishing Fleet on the Horizon, watercolour, signed, 14 in. x 20 in. (35.6 cm x 50.8 cm)             150 – 200        .210
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  • 101                 J. T. Dick, Still Life with Roses, oil on canvas, signed and dated "21", 16 in. x 22 in. (40.6 cm x 55.9 cm)  200 – 300          .320
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  • 102                 Tom Campbell (1865-1943), Picnic by the River, oil on canvas, signed, 16 in. x 20 in. (40.7 cm x 50.8 cm)    600 – 800        Note: The artist is best known for his prolific landscapes with sheep. He also painted effective views with figures, such as this work. Many of his paintings were sold through Daly’s, a Glasgow department store.       .760
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  • 103                 Allan Henderson, Sailboats Offshore with a seated figure, oil on canvas, signed, 14 in. x 21 in. (35.5 cm x 53.3 cm)          200 – 300        .NS
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  • 104                 Sir Robin Philipson (b.1916), King a Ventriloquist, artist proof greeting card, signed, 10 1/2 in. x 8 in. (26.7 cm X 20.3 cm)          100 – 150        .NS
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  • 105                 Sir Robin Philipson (b.1916), King with Mandolin, artist proof greeting card, signed and numbered “20/50”, 10 1/2 in. x 8 1/2 in. (26.7 cm x 21.6 cm)      100 – 150        .NS
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  • 106                 F. E. Jamieson, Loch Lomond, oil on canvas signed, 16 in. x 24 in. (40.6 cm x 61 cm)      200 -- 300       .NS
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  • 107                 Scottish school, (20th century), cattle in a barn, oil on board, initialled "AC", 7 in. x 10 in. (17.8 cm x 25.4 cm)    80 – 120          .NS
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  • 108                 George Renfrew Wilson, Ben Lomond, watercolour, signed and inscribed, 8 in. x 13 in. (20.3 cm x 33 cm)                70 – 100          .NS
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  • 109                 George Renfrew Wilson, Ruthven, watercolour, signed and inscribed, 12 in. x 18 in. (30.5 cm x 45.7 cm)  70 – 100          .NS
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  • 110                 Henry Wilkinson, Gun Dog with pheasant, etching, signed, 11 in. x 14 in. (20 cm x 35.6 cm)         70 – 100    .NS
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  • 111                 Henry Wilkinson, Hen and Cockpheasant, etching, signed, 11 in. x 14 in. (20 cm x 35.6 cm)         70 -- 100    .NS
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  • 112                 Peter Howson, The Yell, pastel, signed, 11 in. x 8 in. (27.9 cm x 20.3 cm)            300 – 400        .NS
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  • 113                 Peter Howson, Lion Man, pastel, signed, 11 in. x 18 in. (27.9 cm x 20.3 cm)        200 – 300        .240
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  • 114                 Peter Howson, Figure Subject, pastel, signed, 12 in. x 9 in. (30.5 cm x 22.8 cm)   200 – 300        .NS
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  • 115                 Peter Howson, Head and Night Sky, oil on canvas, signed, 14 in. x 18 in. (35.6 cm x 45.7 cm)     700 - 1000    .NS
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  • 116                 Andrew Healey Hislop (1887-1954), Shore Scene, oil on canvas, signed, 14 in. x 24 in. (35.6 cm x 61 cm)    180 – 250        Note: Some of the artist’s works are thought to be similar to that of James McIntosh Patrick. Visited the continent and was a teacher of drawing.           .210
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  • 117                 G. Davidson, Bluebell Time, chalk drawing,          9 in. x 13 in. (22.8 cm x 33 cm) 70 – 100                     .NS
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  • 118                 Alexander Macpherson, Horse and Cart by a Church, watercolour, signed, 17 1/2 in. x 13 in. (44.4 cm x 33 cm)    70 – 100          .60
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  • 119                 Scottish School, On the West Coast, oil on canvas, 10 in. x 14 in. (25.4 cm x 35.6 cm)    80 – 120          .80
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  • 120                 Walter McAdam (1866-1935), Loch Eck, watercolour, signed, 22 in. x 30 in. (55.9 cm x 76.2 cm)             700 -- 1,000    Note: The artist was born and lived in Glasgow and had a studio in Lochwinnoch. He is best known for his Highland and West coast views.      .380
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  • 121                 Walter McAdam (1866-1935), September sunshine, oil on canvas, signed, 18 in. x 24 in. (45.7 cm x 61 cm)    700 -- 1,000    Note: See above.          .480
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  • 122                 Robert Payton Reid (1859-1945), A Woodland Path, oil on canvas, 20 in. x 30 in. (50.8 cm x 76.2 cm)       150 – 200        Note: After a tour on the continent, the artist returned to the family home and became friends with Robert Noble and William Miller Frazer. As well as painting landscapes, he illustrated in books.    Provenance: Purchased from the artist’s studio sale.                   .NS
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  • 123                 Continental school, Princess Luise in Descent, oil painting on ceramic plaque, signed "Fagen"(?), inscribed verso “Luise” and number 4150, 13 1/4 in. x 8 1/2 in. (33.7 cm x 21.6 cm), the gilt frame richly decorated with scrolling foliate designs in relief       800 -- 1,200    .3000
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  • 124                 William Douglas McLeod (1892-1963), Gourock Hill, oil on board, signed and labelled verso, 14 in. x 18 in. (35.6 cm X 45.7 cm)                    100 – 150        .NS
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  • 125                 John Hamilton Glass, Gathering Flowers at Harvest Time, watercolour, signed "C. M. Williams", 13 1/2 in. x 21 in. (34.3 cm x 53.3 cm)    200 – 300        Note: The artist is known to sign some of his works as, in this case, using his wife’s maiden name “Williams”.               .260
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  • 126                 Joseph Henderson (1832-1908), Ducks by a River, watercolour, signed, 9 in. x 13 in. (22.8 cm X 33 cm)    300 – 400        Note: The artist moved to Glasgow in 1852 where he stayed for the rest of his life. He is best known for his seascapes.  .NS
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  • 127                 John Harvey Oswald (fl.1870-1899), The Burn Side, a Sunny Day, watercolour, signed and inscribed with the title, 13 in. x 20 in. (33 cm x 50.8 cm)       150 – 200        Note: The artist was an Edinburgh based painter of landscapes and seascapes.            .90
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  • 128                 John Harvey Oswald (fl.1870-1899), A Trout Stream, watercolour, signed and inscribed with the title, 13 in. x 20 in. (33 cm x 50.8 cm)  150 – 200        Note: See above           .90
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  • 129                 James Brown Gibson (b.1880), Pink Roses, oil on canvas, signed, 17 in. x 14 in. (43.2 cm x 35.6 cm)      150 – 200          .NS
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  • 130                 James Campbell Noble (1846-1913), Windmills with a River in the Foreground, signed, 16 in. x 24 in. (40.7 cm x 61 cm)  1,000 -- 1,500 Note: The artist painted coastal and river scenes along the Clyde and later visited Holland. Returned to Scotland and painted the canals and estuaries of Holland.      .NS
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  • 131                 James Kay (1858-1942), Harvest by a River, chalk drawing, signed, 9 in. x 13 in. (22.8 cm x 33 cm)       600 – 900          Note: Born on Arran, the artist worked alongside David Gauld and Stuart Park. Painted many subjects on the Clyde, with steamers and fishing boats along with views of French street scenes.      .NS
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  • 132                 British school, (19th century), Terrier Dog, oil on canvas, 12 in. (30.5 cm) square, frameless          70 – 100    .160
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  • 133                 Herbert Moxon Cook, Holy Isle from above Corrie, watercolour, signed, 10 1/2 in. x 15 in. (26.7 cm x 38.1 cm)    180 – 250        .300
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  • 134                 William McClure, Loch Achray, oil on board, signed, 11 1/2 in. x 15 1/2 in. (29.2 cm x 39.4 cm)  70 – 100    .40
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  • 135                 William McClure, View of a Loch from a mountain, oil on board, signed, 12 in. x 16 in. (30.5 cm x 40.7 cm)    50 – 80            .45
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  • 136                 P.R.M. Mackie, The Sheik's Bodyguard, pastel, 15 in. x 20 in. (38.1 cm X 50.8 cm)        60 – 90            .180
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  • 137                 Henry Shields, Loch Fyne, oil on canvas, signed and dated 1886, 10 in. x 14 in. (25.4 cm x 35.6 cm), frameless    40 – 60            .20
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  • 138                 Violet M. Kay, Cottages by a Loch, watercolour, signed, 5 1/2 in. x 7 1/2 in. (14 cm x 19 cm) 100 – 150 .NS
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  • 139                 George Denholm Armour (1864-1949), Ploughing a Field in Tangiers, oil on canvas, signed, 12 in. x 20 in. (30.5 cm x 50.8 cm), frameless  700 -- 1,000    Note: This work relates to the artist’s visit to Tangiers with Joseph Crawhall the 1880s. See illustration in The Glasgow Boys book by Roger Bilcliffe.                        .NS
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