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Oil Paintings and Watercolours, Prints and Books

286                 Muriel Elise Crooke (b.1901), Various Subjects, oils on board, frameless (5)    100-150    Note: The artist was a landscape and animal painter who studied under Munnings.ns

287                 Muriel Elise Crooke (b.1901), Various Subjects, oils on board (5)    100-150    .90Note: The artist was a landscape and animal painter who studied under Munnings

288                 Robert Jones (fl.1906-1940), Landscapes, oils on board, frameless (4)    80-120.ns

289                 J.B. Abercromby (fl.1880-1923), Landscapes and Figure Subjects, oils on board, frameless (8)    100-150.90

290                 Voila Paterson (1899-1981), a lot of engravings    30-50.55

291                 Willy Shuter, Man with Clay Pipe, pastel, signed, 14in x 12in     (35.6cm x 30.5cm)    140-180.160

292                 Robert Thorpe, Farmyard in Winter, oil on board, signed, 24in x 30in (61cm x 76.2cm)       120-160.ns

293                 John Kidd Maxton (1878-1942), A Beached Boat, watercolour, signed, 10in x 14in (25.4cm x 35.5cm)     80-120.ns

294                 G. Trevor, Isle of Skye, watercolour, signed, 10in x 14in (25.4cm x 35.5cm)    80-120.85

295                 William Langley, Sunset, Loch Tay, oil on canvas, 16in x 24in (40.6cm x 61cm)    400-600.ns

296                 William Langley, Cattle by a Loch, oil on canvas, 15in x 23in (38.1cm x 58.4cm)    600-800.ns

297                 Thomas Train (b.1890), Dee & Muick, watercolour, signed and inscribed, 10in x 14 1/2in (25.4cm x 36.8cm)     40-60.20

298                 H.(?) Peddie, A Toast to the Portrait, oil on board, signed, 47in x 35in (119.3cm x 88.9cm)    300-400.280

299                 British School, Fishing at Dusk, oil on canvas, initialled “GHK”, 8in x 14in (20.3cm x 35.5cm), frameless    40-60.280

300                 A. Thorne (?), After the Battle, oil on canvas, signed indistinctly and dated 1880, 13in x 19in (33cm x 48.2cm), frameless    70-100.170

301                 Scottish School, Old Friends, watercolour, 15in x 21 1/2in (38.1cm x 54.6cm)    200-300.ns

302                 M. Macdonald, An Evening In, watercolour, 11 1/2in x 18in (29.2cm x 45.7cm)    150-200.ns

303                 Peter Macgregor Wilson RSW (d.1928), Essex, watercolour, signed, inscribed and dated 1883, 11 1/2in x 19in (29.2cm x 48.2cm)       100-150.100

304                 Hamilton Maxwell RSW (1830-1923), French Street Scene, watercolour, signed, 22in x 16in (55.9cm x 40.6cm)    400-600    Exhibited: There are two undated exhibition labels to the reverse of this lot. One for the RSW and another for Keller & Reiner, Berlin.ns

305                 Hamilton Maxwell RSW (1830-1923),  Venice, watercolour, signed and dated 1887, 20 1/2in x 13 1/2in (50.8cm x 34.3cm)    100-150.100

306                 British School, The Cavalier and a companion, oils on board, a pair, each monogrammed, 10 1/2in x 6 1/2in (26.7cm x 16.5cm)    150-200.230

307                 Peter Macgregor Wilson RSW (d.1928), Fishing Boats at the Shore, watercolour, signed, 12in x 20in (30.5cm x 50.8cm)    100-150.90

308                 Peter Macgregor Wilson RSW (d.1928), On the Shore, watercolour, signed, 12in x 20in (30.5cm x 50.8cm)    70-100.150

309                 Tom Campbell (1865-1943), The Shepherdess, watercolour, signed, 10in x 14in (25.4cm x 35.5cm)     300-400.ns

310                 Hamilton Maxwell RSW (1830-1923), Mediterranean Bay, watercolour, signed, 14 1/2in x 21in (36.8cm x 53.3cm)    70-100.ns

311                 George Houston RSW, ARSA, RI, RSA (1869-1947), The Lynn Glen, oil on board, signed, 18in x 24in (45.7cm x 61cm)     1200-1600 .ns

312                 Benjamin John Ottewell (d.1937), A Highland Pool, watercolour, signed and dated 1905, 19in x 26 1/2in (48.2cm x 67.3cm)    300-500.280

313                 George Houston RSW, ARSA, RI, RSA (1869-1947), A River in Springtime, oil on canvas, signed, 18in x 24in (45.7cm x 61cm)    1200-1600.1500

314                 John Blair (fl.1880-1920), Ayr, watercolour, signed, 10in x 7in (25.4cm x 17.8cm)    300-400.280

315                 Henry John Dobson RSW (1858-1929), The Spinning Wheel, watercolour, signed, 11in x 15in (28cm x 38.1cm)     800-1200.ns

316                 Attributed to Salvator Frangiamore (1853-1915), Morning Choir, oil on canvas, signed, 19 3/4in x 24 1/2in (50.1cm x 62.2cm)       1500-2000.2800

317                 R.H. Edmondson, Skye, watercolour, signed, 10in x 14in (25.4cm x 35.5cm)    80-120.85

318                 H. Boyes, The Village Square, watercolour, 8in x 13 1/2in (20.3cm x 34.3cm)    40-60.20

319                 Northern Painters, The Royal Scottish Academy of our Day, two volumes, bound in green cloth, 1901    50-80.30

320                 Scottish School, Dundonan Castle, watercolour, signed indistinctly, 13in x 20in (33cm x 50.8cm)    100-150.110

321                 British School, Landscapes, oils reverse painted on glass, a pair, each 10 3/4in x 14in (27.3cm x 35.6cm) oval    50-80.150

322                 Scottish School, Glengarry Castle, Loch Oich, oil on canvas, 11in x 15in (28cm x 38.1cm)       50-80.60

323                 Set of architectural prints, Glasgow scenes, frameless (a lot)    20-30.25

324                 Scottish School, Loch Scene and a companion, watercolours, a pair, each initialled “MP”, 7in x 10in (17.8cm x 25.4cm)    (2)    60-90.70

325                 Vanity Fair Album, bound in gilt tooled green cloth, dating between 1869 and 1901 (21)    100-150.5100

326                 J. Cuthbertson, On The Fairway, possibly Arran, oil on canvas, initialled and dated 1893, 8in x 12in (20.3cm x 30.5cm)    100-150.2600

327                 J. Cuthbertson, The Bathers, oil on canvas, signed and dated 1893, 8in x 12in (20.3cm x 30.5cm)    80-120.140

328                 British School, Love Letters, watercolour, monogrammed “PH” and dated 1917, 12 1/2in x 8 1/2in (31.7cm x 21.6cm)    100-150.72

329                 British School, The Cupboard Was Bare and a companion, watercolours, a pair, each initialled and dated “93”, 10in x 8in (25.4cm x 20.3cm)    50-80.90

330                 William Brown, Country Landscape, watercolour, signed, 6in x 9in (15.2cm x 22.8cm)    20-30.10

331                 Lot of nineteenth century topographical photographs, contained in an album, including mainly scenes of Cairo by G. Lekegian & Co    200-300.280

332                 The Book of Cricket, edited by C.B. Fry, circa 1901, bound in green cloth    60-90.180

333                 Set of four engravings by Charles Hunt after F.C. Turner, Leamington Grand Steeplechase 1837, in oak frames, each 21in x 28 1/2in (53.3cm x 72.4cm) overall    200-300.300

334                 Two colour prints, in gilt frames    30-50.35

335                 The Natural History of Animals, a set of eight volumes, with Talwyn Morris style cloth bindings    60-90.60

336                 Lot of various prints, etchings and engravings (a lot)    40-60.40

337                 Henry Rushbury, L’Ile de la Cite, etching, signed, 12 1/2in x 17in (31.7cm x 43.2cm)    50-80.45

338                 Stuart Johnston, Muss Egg Tower, Lucerne, etching, signed, 12in x 7 1/2in (30.5cm x 19cm); and six others (7)    50-70.100

339                 Mathew Henderson, Loch Lomond, etching, signed, 4 1/2in x 11 1/2in (11.4cm x 29.2cm); and another by the artist (2)    30-40.45

340                 Pencil sketch and two etchings (3)    30-50.30

341                 J.R. Mackay, Herring Fishers, etching, signed,  4 1/2in x 10 1/2in (11.4cm x 26.7cm); and another by the artist (2)    30-50.35

342                 C. Rowbotham, The Holy Loch and a companion, aquatints, a pair, each signed, 6 1/2in x 8in (16.5cm x 20.3cm)    20-30.55

343                 Francis Dodd, Going To Market, etching, signed, 12 1/4in x 9in (31.1cm x 22.8cm)    50-70.45

344                 Henry Rushbury, Dutch Canal, etching, signed, 8 1/2in x 17in (21.6cm x 43.2cm)    40-60.30

345                 Sir David Young Cameron ARE, RE, ROI, ARSA, ARWS, RSW, RWS, ARA, RA, HRSW (1865-1945), Castle Urquhart, etching, signed, 10in x 17in (25.4cm x 43.2cm)    100-150.75

346                 Henry Rushbury, Old Port, Marseilles, etching, signed, 11 1/4in x 14 3/4in (28.5cm x 37.5cm)       60-90.120

347                 Francis Dodd, Poplar, etching, signed, 11 1/2in x 9in (29.2cm x 22.8cm)    40-60.50

348                 Jackson Simpson (fl.1930s-1940s), Benachie, etching, signed, 6 1/2in x 9 1/4in (16.5cm x 23.5cm)    50-80.150

349                 Jackson Simpson (fl.1930s-1940s),  The Burnside, etching, signed, 6 1/2in x 9 1/4in (16.5cm x 23.5cm)    70-100.200

350                 An Angler’s Anthology, collected by A.B. Austin, with a collection of print etchings after Norman Wilkinson; and A Fisherman’s Angles, also with illustrations by Norman Wilkinson (2)    200-300.ns

351                 The Evergreen, four volumes of poetry with illustrations, published by Patrick Geddes of Edinburgh; and two other bound volumes (6)    40-60.55

352                 Sketches From The Belfry, a hole by hole analysis of the golf course, signed, limited edition of two hundred, bound in leather and in original presentation box        40-60    .70Note: This edition, one of the two hundred signed, was originally retailed at £500.

353                 Sketches From The Belfry, a hole by hole analysis of the golf course, signed, limited edition of two hundred, bound in leather and in original presentation box        40-60    .65Note: This edition, one of the two hundred signed, was originally retailed at £500.

354                 Sketches From The Belfry, a hole by hole analysis of the golf course, signed, limited edition of two hundred, bound in leather and in original presentation box        40-60    .85Note: This edition, one of the two hundred signed, was originally retailed at £500.

355                 Sketches From The Belfry, a hole by hole analysis of the golf course, signed, limited edition of two hundred, bound in leather and in original presentation box        40-60    .75Note: This edition, one of the two hundred signed, was originally retailed at £500.

356                 Sketches From The Belfry, a hole by hole analysis of the golf course, signed, limited edition of two hundred, bound in leather and in original presentation box        40-60    .90Note: This edition, one of the two hundred signed, was originally retailed at £500.

357                 Sketches From The Belfry, a hole by hole analysis of the golf course, signed, limited edition of two hundred, bound in leather and in original presentation box        40-60    .85Note: This edition, one of the two hundred signed, was originally retailed at £500.

358                 Hardy’s Angler’s Guide and other fishing catalogues, etc. (a lot)    30-50.55

359                 The Angler Magazine, five bound volumes; The Scottish Angler, one bound volume; and Angling, one bound volume; each circa 1950 (7)    40-60.30

360                 The Angler’s Companion, by Thomas Todd Stoddart; and other books on angling (24)    40-60 .50

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